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Read: Say What With Luce   www.luminomagazine.com

 

LUCE - Never Ending
(Luce Records)
Kansas City Star, July 7, 2005

Songs like “Buy a Dog” and “Amsterdam” present nothing new, but they are so well crafted, performed and produced and are so unrepentantly catchy, it’s hard to resist their simple charm, which is all about melody and groove.

Luce is a San Francisco adult-alternative band led by Tom Luce, who put out a song a few years back called “Good Day” that was as radio-ready and pop-fabulous as anything manufactured by any other band in Luce’s adult-pop universe (Train, Counting Crows, Maroon 5). That song got so much traction out in San Francisco (via station KFOG-FM) and enough exposure in TV (“The O.C.”) and film (“How to Lose a Guy in 10 Days”) that this independent band ended up selling about 30,000 copies of its self-titled debut with virtually no label help. Chalk it up to Luce, an ace songwriter whose easy-breeze voice at times bears a faint resemblance to Gerry Rafferty’s. (Come to think of it, a remake of “Stuck in the Middle” might fit right in here.)

This follow-up picks up where “Luce” left off. It’s a batch of smart, melodic, groovy pop songs cast in all forms of guitars, a few horns and some nifty B3 riffs, all made for those who go to music for a voyage into the light, as opposed to deliverance from darkness. — Tim Finn

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"A radio-ready jam band..."

www.clevescene.com
by Michael Gallucci -- Tuesday, September 27

The Bay Area's Luce falls somewhere between a radio-ready jam band (think Dave Matthews) and teen-friendly pop mood-setter (its songs have shown up on TV shows and movies like The OC and How to Lose a Guy in 10 Days). Never Ending, Luce's latest album, features appearances by members of Counting Crows and Train, fellow Bay bands that know a thing or two about bridging the broad gulf between sing-along pop and mopey rock. Luce is at Wilbert's (812 Huron Road) at 8 p.m. Tickets are $10, available by calling 216-902-4663.

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Nashville Scene -- Our Critics Picks  September 15, 2005

 This Northern California band’s second album sports a detailed, biology-class drawing of the human heart, an appropriate image for bandleader Tom Luce’s up-close examination of a relationship from its first joyous bursts to the usual emotional chasms. With a rhythm section that includes former members of Counting Crows and Train, Luce focus on melodic, mid-tempo rock with a rapturous bent that depends on soul-rich keyboards and trumpet as much as on guitars. This is indie rock that’s polished enough for the radio (they’re getting airplay here on WRLT) and smart enough to pull in a bookish crowd that prefers to sway rather than stomp. Sept. 18 at 3rd & Lindsley —MICHAEL McCALL

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West Coast Band Emerges From the Underground
Nashville City Paper --
By Ron Wynn, September 16, 2005

rwynn@nashvillecitypaper.com

S
an Francisco singer/songwriter Tom Luce is rapidly expanding his profile as a bandleader, performer and composer, noted for a sophisticated yet animated brand of rock that’s enjoying growing popularity nationwide. In fact, Nashville has become one of the prominent spots for the band, with selections from its current release Never Ending now in heavy rotation on WRLT-FM Lightning 100 and the group coming to town Sunday night for a 3rd and Lindsley show with special guest Charlie Colin of Train.

 “It’s quite gratifying for people to respond to your music when you’re not on a huge label or have a big public relations firm backing you,” Luce said. “When you consider just how many bands there are out there at any given time, it shows you that there’s a hunger out there for something that’s different and fresh. The audience is always a lot smarter and sharper than some people in the industry think, and they respond to honest, direct and earnest music and songs that don’t take them for granted.”

 Luce has certainly not delivered the prototype rock statement with Never Ending. In some ways it could be viewed as a “concept” release, as the various songs are all statements about love, relationships and the problems that inevitably stem from misunderstandings, gender differences, assumptions and complications.

 Co-producer Adam Rossi adds vibrant keyboard contributions and also did background vocals, joined by former Counting Crows drummer Steve Bowman, bassist Larry Riggs and guitarist Dylan Brock.

Luce hopes to capitalize on the previous momentum that they enjoyed from the song “Good Day,” which was featured in the films 13 Going On 30 and How To Lose A Guy in 10 Days as well as television shows Alias and The O.C.

Colin also served as a special guest on the session and has been working with Luce throughout the past year on a separate project.

“We’ve been doing a few dates as an acoustic duo,” Luce said. “The music that we’ve been working on is a big departure for both of us. The audience for Train will be very surprised at the direction of these songs, and it’s really a very different sound from what I do in Luce. I don’t want to spoil the surprise, so I’ll just say that conceptually we took some real chances with both the arrangements and the lyrics.”

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LUCE - Never Ending

(2005 Independent release -- www.feelinganxious.com)

 

By Bill Rickman

 

It is safe to say that the sophomore release from San Francisco Bay area’s LUCE does not fall into the feared category of sophomore slump. Two years in the making, “Never Ending” shows that time produces quality.

 

In this era of sensory over-assault, it is rare when things are kept simple and even rarer when these simple things remain interesting enough to keep the listener’s ear. LUCE manages to walk the line between the singer/songwriter genre and catchy guitar rock, with the outcome resulting in a well-presented, upbeat album. It’s an album that’s easy to listen to and easy to get sucked into listening to again and again.

 

However, the songs aren’t necessarily simple—with a balanced mix of vocals, guitar, brass, keyboards/sampling, percussion, and bass—but they are about the simple things in life. “Never Ending” runs through an array of everyday experiences: pretty girls, foreign language barriers, riding in cars, a waitress at Denny’s, buying a dog, infatuation—things that are familiar relatable. But LUCE manages to avoid clogging the story with hokey metaphors or unnecessary drama.

 

There is no reason that LUCE shouldn’t be getting plenty of radio airplay across the country, other than the fact that their efforts may very well be too intelligent and well-constructed to fit in with the junk circulating on most stations’ rotations as of late.

 

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Luce -- "Never Ending" 2005 Luce Records/Joe’s Music
Graham Bailey  Music Review  5/2/2005
Score: 8.5 (of 10)

Do you ever listen to a record and come out just befuddled, but in a pleasant way? Probably not, because it is not a very common experience to listen to a record these days that is not easily categorized, placed in to a genre, where a listener can say, here is what the musician was trying to do, here are their influences, and here are three other artists they sound like. Luce’s sophomore effort Never Ending is an album that is just pleasantly befuddling in that it is just something different.

Despite having a cover that makes it look like a metal album Never Ending is anything but. But what is it then? It is not rap or R&B, or country or metal, but that is about all this album is not. The album is definitely pop; it is very accessible and catchy. At times, such as on “Buy A Dog,” it comes off as sort of new wave. It sounds kind of like garage and indie-rock on “From the World of the Lonely.” Tracks like “The Sweetest Smile” definitely make it sound like a singer-songwriter album. “Maria” is kind of lo-fi mariachi pop. So, Never Ending is an indie/new wave/singer-songwriter/lo-fi/mariachi/garage rock album.

Luce is basically Tom Luce. Luce is accompanied on the album by co-producer and keyboardist Adam Rossi, along with drummer Steve Bowman (formerly Counting Crows), and Larry Riggs. Considering most of the album is the brainchild of one man it is no surprise that the only real comparisons one could make (and even these are a bit of a stretch) would be to Badly Drawn Boy, or Beck. But Luce is a bit more strange and eclectic than either Badly Drawn Boy or Beck. Essentially Luce is Luce.

The musicianship on Never Ending is quite superb. The diversity of material allows each different song to shine for different reasons; many different musicians play many different instruments, all well. On all the songs we get the typical bass, drums and guitar, but we also get things like the trumpet (“From the World of the Lonely”), Wurlitzer “Buy A Dog”), harmonica (“Amsterdam”), programming (“Outside of it All”), piano (“Never Ending”), b3 organ (“Worth the Wait.”)

The vocals on the album are very good. For the most part Luce has a very pop-accessible voice, very sweet and high. On “Buy A Dog” and “Amsterdam” there is some great harmonizing. Lyrically the album is very offbeat, somewhat akin to They Might Be Giants if they wrote songs about relationships. “Maria” is a song about falling in love with someone who speaks another language, while “Buy A Dog” is about the perks of not being lonely in a relationship when you buy a dog.

Overall: Never Ending by Luce is a pleasant, feel good album. The musicianship is great, the songs are quirky and fun, and the album is quite original.

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